![]() There’s now a greater variety of Scopes you can bring up for finer calibration, too. Adjustment sliders include the lovely Faded Film, for reducing saturation, and Vibrance, which increases the saturation but protects skin tones. ![]() An intensity slider increases or decreases the effect. At this point, it can be dragged to the timeline and adjusted using the new Lumetri Colour panel in the Colour workspace.Ĭlicking on the creative section brings up a preview window that lets you step through tasters of looks with a single click – including those already added to your libraries. This information can then be synchronised with Creative Cloud and will appear in the libraries panel as a colour Look. So, say I’m filming in the Highlands and the sun breaks through heavy clouds to illuminate a green sward with golden light I can open Adobe Hue on my iPad and hit the capture button, and the colour and light information in the scene will be represented by a cluster of coloured bubbles showing the saturation, volume and luma of each colour. Essentially, Hue is a colour-picker that derives a colour Look from a piece of video. ![]() Library synchronisation also includes colour looks generated with the new Adobe Hue iOS app. It’s possible to share any of these assets – or, indeed, whole libraries – with any other Creative Cloud subscriber such files simply appear in the libraries panel. The libraries panel makes it child’s play to pick up projects started on the iPad with Premiere Clip and edit them in Premiere Pro. ![]()
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